Eudora Welty

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    Anthologies
  • Eudora Welty: Complete Novels: The Robber Bridegroom, Delta Wedding, The Ponder Heart, Losing Battles, The Optimist's Daughter (Library of America)
      | Hardcover |
      | Hardcover |
    This Library of America volume gathers all the long fiction published by the beloved Mississippi writer Eudora Welty. Throughout her long and storied career, Welty has been most famous, perhaps, for her short stories. But it's in her novels that she attempted some of her most ambitious and powerful creations: the idiosyncratic fable that is The Robber Bridegroom, drawing on legends, local history, folktale, and myth; the underrated, wickedly funny short novel The Ponder Heart; and Losing Battles, a familial epic 15 years in the making and begun in bits and pieces while Welty cared for her sick mother. In a strange inversion of the author's usual career trajectory, Welty's only attempt at a roman à clef came late in life, with the Pulitzer Prize-winning The Optimist's Daughter, the quiet, moving, largely autobiographical story of a woman coming to grips with her father's death. The novels alone earn Welty a place as one of the finest writers our century has produced; taken together with the Library of America companion volume, Stories, Essays, & Memoir, it's a body of work that William Maxwell calls "beyond human power of praising." Welty rarely strayed for long from the place of her birth, but her fiction is as capacious as the human heart itself. Like Faulkner, she has taken her own corner of Mississippi and made it encompass the world.


  • Eudora Welty: Stories, Essays & Memoir (Library of America, 102)
      | Hardcover |
      | Hardcover |
    It's small wonder that the Library of America chose Eudora Welty as the first living (at that time) author published in this prestigious series. Welty was the kind of writer people routinely call "an American institution." But don't let the sweet white-haired-old-lady image fool you: Welty's work is anything but benign. For more than 50 years, Welty spoke with a fierce and uncompromising literary voice. Or, rather, voices: the stories collected in this volume feature a dizzying array of characters, each of whom seems to whisper directly into the reader's ear. From the toxic rage of Where Is the Voice Coming From? to the jazzy rhythms of Powerhouse, these tales blaze with intensity and a comic energy that's both gentle and fierce. Even that bane of junior-high-school speech tournaments everywhere, "Why I Live at the P.O.," benefits from rereading; as far as this brand of down-home farce goes, Welty does it better than anyone. Bringing together the contents of Welty's four short-fiction collections, this Library of America volume also includes several essays as well as Welty's very fine 1984 memoir, One Writer's Beginnings. In it she speaks of connections, continuities, the way both her fiction and her experiences emerged gradually into focus over time: ...suddenly a light is thrown back, as when your train makes a curve, showing that there has been a mountain of meaning rising behind you on the way you've come, is rising there still, proven now through retrospect. This volume is that light thrown back; the full import of Welty's enormously influential work is perhaps apparent only now, in this substantial and rewarding retrospective of her career. -- Mary Park


  • Eudora Welty Reads : Why I Live at the P.O., a Worn Path, a Memory (Audio Cassette)
      | Audio Cassette |
      | Audio Cassette |




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